Journalists from around the world are reporting on the 2020 Presidential race—and offering perspectives not found in American media coverage.
Released on 10/26/2020
[reel winding]
[Woman] Look at that!
[Reporter] We’ve just heard, just moments ago,
that a grand jury in Jefferson County…
[man speaking in foreign language]
[woman speaking in foreign language]
[man speaking in foreign language]
You know, sometimes, you have days
when there’s not much going on around the world,
but there’s always something coming from America.
[orchestral music]
It feels like America is at the fault line.
This is the end of an era.
It is turning for me, as an African reporting on it,
that the same things
that America has been lecturing Africa on
appear to be happening right here at home.
A lot of it is genuine fear
and worry about where the U.S. is headed,
and the other part is a kind of a car crash situation.
You don’t really want to watch,
but you have to because it’s so outlandish,
and crazy, and insane.
Ready whenever you are.
[clapper clicking]
I see my job as translating America
for the rest of the world.
[woman speaking in foreign language]
A lot of us in France or in Europe
are dreaming to be a correspondent in the U.S.
Holland is so small
that there’s not many international media
who are foreign correspondents in the Netherlands,
but there are a few.
They see things that maybe we don’t see
because we’re part of the same society,
and I think that’s what
an international journalist has to offer.
All right, so, next thing is makeup.
So, you gain weight in the U.S.
but also you gain bags under your eyes in the U.S.,
[chuckles] ‘cause sleep can be an issue.
And that’s what I’m trying to hide.
As a journalist, it’s an enormous challenge
and in some ways exciting because you realize
I’m probably never going to experience this again
in my career.
Any election I will do after this one,
if I ever gonna do an election, is gonna be boring.
Foreigners think they know the U.S. and Americans,
and they really don’t.
I mean, they think that someday Americans will wake up
and realize that, oh no, it’s not good
to have all those firearms.
And it’s not gonna happen.
I’ve reached the conclusion that we don’t understand them
and they don’t understand us,
which is why it’s great working in this country,
because it is fun to keep being baffled by what happens.
[orchestral music continues]
I’m doing TV and Americans are made for TV.
I don’t know what’s in the milk that you…
If you’re breastfed or in the school milk you get.
[speaking in foreign language]
[soft music]
[speaking in foreign language]
American people are very friendly.
They are very good at answering a question
with a good punch line, so…
And they are not afraid of expressing themselves,
even though what they say is very politically incorrect.
Don’t be a Trump supporter.
We have to impeach Trump again
and begin the greatest show on Earth.
I think it’s probably easier for us foreign correspondents
to talk to certain elements of Trump’s space,
because there’s less mistrust…
Is it distrust or mistrust?
[speaking in foreign language]
[Man Off-camera] Mistrust.
Yeah, I guess that it’s less mistrust.
Americans are incredibly generous with their time,
and you tell them that you’re a foreign reporter,
they’re like all right, well,
let me tell you what the American media
aren’t telling people.
[soft music continues]
Hi guys, I’m a journalist from the U.K.
Do you mind if I ask you a couple of questions?
[indistinct response]
You wanna talk?
[indistinct chatter]
Because of the way Donald Trump
has spoken about the media over the years,
he’s created this us versus them mentality.
It doesn’t really happen with me.
I’m such an oddity to them.
I start speaking in British accent,
they immediately open up and start talking to me.
Inside the country Americans here are very partisan view
of their own country.
What we offer that’s slightly different
is a kind of detachment from these two sides.
[indistinct newscast]
It’s just kind of a scene piece.
Yeah, so Joe Biden’s stopping in Johnstown
at the end of a train tour.
This is what he’s trying to do.
This is what people said.
It’s seeing how a sausage gets made,
it’s not a pretty sight.
[piano music]
[woman speaking in foreign language]
[indistinct chatter]
[piano music continues]
Access to the President by foreign journalists
is much more than it was previously the last two Presidents.
I can definitely say that.
[indistinct chatter]
He comes to us sometimes, I think,
when he wants to change the subject.
He kind of runs the White House
like an advertising company.
He repeats the same lines over and over again,
so that they stick.
[indistinct chatter]
The largest number of stories
appearing in the foreign section of the Indian press
is from the United States of America itself.
There’s huge interest in India about who is going to win.
There’s interest in India what the next administration
is going to do with China.
Also what implication that will have.
[dramatic music]
This election is the most critical election of our life.
If one party and agenda wins,
it could be the sealing of America’s apostasy and judgment.
If the other party wins, it could unleash riots
as we have not seen and the tearing apart of the nation.
I’ve been in the United States for 20 years now
and I’ve seen a lot of division, and divergence,
and controversy.
I have never seen this level of polarization.
Either they are in love with their President
or they hate him.
I obviously never expect it to be like this.
Literally, since 2015, till this day,
the only story there is, is Trump.
[speaking in foreign language]
Business as usual.
[speaking in foreign language]
[tense music]
If what is happening here
was happening in any other part of the world,
the way foreign correspondents would be describing it
would just be shocking.
So the Trump regime and all sorts of stereotypical things
that I used often to refer to the global South
would be completely at home and apply here.
Trump makes it hard on us
because some of the things he does
makes me wonder whether I’m covering an election
in the United States,
one of the oldest democracies in the world,
or whether I’m actually reporting
from almost a failed state.
I mean, I don’t know if it’s completely normal
in a democracy to have armed militias
in state legislatures, multiple state legislatures.
More and more, people in Japan
are talking about what’s the difference of the Belarus
and the United States.
In case these people in rural
do not accept the result of the election.
[tense music continues]
There are so many parallels
between this U.S. election
and elections I have covered in Africa.
There is talk of rigging,
which is not a word that I’d ever thought
that I would hear associated with an American election.
I covered mass protest and revolution in Lebanon.
I covered the downfall of ISIS in Mosul
and the war against ISIS in Syria.
One of the things that I talk about with my colleagues
who are over here now,
who used to report in the Middle East,
is that we were all talking about the warning signs
that were coming from the White House.
The authoritarianism.
Threats to the integrity of the election.
And we all thought they weren’t really
being taken seriously.
And I guess once you’ve reported in a place
where you’ve seen how quickly things can go bad,
that gives you a bit of an insight
and it gives you a bit of a headstart on everyone else.
When I arrived here in the U.S., I arrived from Egypt.
Very quickly I started going all over the country
to different meetings
and I will see how people started insulting media,
and this is all thing I saw in Egypt
and especially the last few years
where back to the dictator in Egypt.
I’m working on a story about voter suppression in Georgia,
which is this, what appears to be,
a systematic approach to make sure that underprivileged,
many of them people of color, black people,
don’t get a chance to vote.
This is something that dictatorial regimes do
in other countries.
They deliberately make sure
that those who are not likely to vote for them,
don’t get a chance to vote.
And here it is, I’m working on it here in the U.S.
There is this notion among Americans
that you seem more free than the rest of us.
And, to me, that’s a huge mystery,
because I don’t regard myself or other things as unfree.
Your unequality is not healthy [laughs].
That’s a very mild expression.
If you look at climate change, look at the wildfires.
The disparities when you see the cost of the healthcare,
the cost of the studies…
In so many ways, you’re the opposite of exceptional.
Well, you’re exceptionally shit.
[crowd shouting]
[speaking in foreign language]
[woman speaking in Japanese]
[woman speaking in foreign language]
[intense music concludes]
[orchestral music]
One thing that I’ve very intimately learned
in my 20 years of being in the United States,
nothing that happens in the United States spares,
whether good, bad, or ugly, the rest of the world.
When America took to the streets
when George Floyd was killed,
in Holland, they took to the streets.
Black Lives Matter became a debates in the Netherlands.
What about our systemic racism?
Trying to disentangle the American influence
from Canadian daily life
is like trying to separate molecules with your hands.
Like, literally, when there’s a forest fire in California,
the air in Canada is hazy.
Japanese postwar history was very much influenced
by the American President the United States.
Sooner or later, what happening in the United States
could happen in Japan, as well.
I’ve loved living here,
but I’ve never been as worried
about the future of this country than I’m right now.
As both sides says,
it is the most important election of the history of America.
Two 70-year-old white men
are trying to lead a multicultural nation into the future
and the whole world is watching.
Voters are not always aware
of how their vote counts a lot.
Not only for them, but for the rest of the world.
This democracy has been a beacon for a long time
and at this pivotal moment,
where it all appears to be up for debate,
whether how America sees itself
and how America moves forward.
The rest of the world is watching this
and kinda holding its breath to see what happens.
[orchestral music concludes]
https://www.newyorker.com/7ae6961c-d410-4529-aa04-616d22922687